Shortly before he moves from New York to Los Angeles a banker visits his Atlanta branch. One evening he is propositioned, by a high-class call girl. Their night of passion leaves him besotted, but he is unable to find her again even with the help of a private investigator. In L.A. he is introduced to his boss's wife and is sure she is his lady of the night. But she insists she isn't.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
