'Young Royals' Review
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.


Premiering at none other than the Paradise Theatre on Friday, April 21st is Midnight at the Paradise, Vanessa Matsui’s directorial feature debut. The film follows three different couples at different stages of their lives together. They are all brought together by Iris (Liane Balaban) and her plan to save the landmark Paradise Theatre and honour her ailing father with a screening of their favourite film, Jean-Luc Godard’s classic, Breathless. We get the sense that Iris’s fixation on this particular film may be a distraction from the dissatisfaction she feels in her everyday life, but soon this event will be the catalyst for a shake-up in her routine.

Three couples at different stages of their relationships come to appreciate that any marriage requires equal doses of delusion, forgiveness, laughter, and sexual chemistry.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
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I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.