Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Karim, thirty-seven years, seven months, five days, seven hours, and twelve seconds old, has reached the exact midpoint of his life. Like every human who arrives at half time, he receives a visit from a surprising messenger who gives him the choice between continuing to live his life as it is now, or starting it all over again. He has fifteen minutes to decide.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
'A Wrinkle In Time' combines fantasy and science fiction to bring the classic story to life.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.