What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

While the Bolivian flag is raised by military hands on a pontoon of the Bolivian Naval Force, a civilian swimmer is ritually prepared to enter the waters of Lake Titicaca naked to cross them towards the Island of the Sun. This short film is the record of a poetic act that connects a deep wound Bolivia faces due to its denial of access to the sea with a war conflict still vivid in the memories of Argentines.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.