Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

A Chilean maid wins a big tv show prize, changing therefore her life forever. Now she must face different kinds of tribulations that would force her to show she is worth for what she is and not for what she has.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.