
Pistolník is a teacher who rules the boys' boarding school of a vocational school with a firm hand. Room No. 135 is Pavel, Tonda, Roman, Slavek and especially Olin, nicknamed Koblih, five classmates who, with extraordinary imagination, drive Pistolník crazy with new and new Canadian pranks. Their recessions are only put to an end by the arrival of a new and young teacher, Kamila, who is not affected by their tried and tested tricks. Despite their seemingly carefree life, each of the boys has his own problems, which gradually surface, and so in the avalanche of funny moments, a serious tone is occasionally heard.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7