Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

"In Mexico, experimental filmmakers Hoolboom and Steve Sanguedolce set out to dissect the travel bug. Hoolboom's deadpan, incisive voice-over offers the viewer the air-tight experience of a Third World holiday, while images from an archaeological museum to a bullfight to an auto factory establish the dual contexts of tourism and Free Trade." (Toronto International Festival Catalogue)
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.