Rose was up all night dealing with two equally annoying pests—a horny boyfriend and a squeaking mouse that has somehow managed to climb into her bedroom ceiling. With her mother across the country attending a distant relative's funeral, Rose is home alone, and her boyfriend George is eager to capitalize on the opportunity. However, when Rose finds out that the mouse giving her a migraine scampered under her bed and ate a bag of her marijuana edibles, she and George must decide its fate.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
