Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

The first definitive feature documentary to lend new and compelling perspectives on the partnership, both professional and personal, of director James Ivory, producer Ismail Merchant, and their primary associates, writer Ruth Prawer Jhabvala and composer Richard Robbins. Footage from more than fifty interviews, clips, and archival material gives voice to the family of actors and technicians who helped define Merchant Ivory’s Academy Award-winning work of consummate quality and intelligence. With six Oscar winners among the notable artists participating, these close and often long-term collaborators intimately detail the transformational cinematic creativity and personal and professional drama of the wandering company that left an indelible impact on film culture.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.