Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

An intellectual leaves the Cuban revolution and 'underdevelopment' behind only to find himself at odds with the ambiguities of his new life in the 'developed' world. A portrait of alienation, of an outsider with no clear-cut politics or ideology. A stranger in a strange land struggling with old age, sexual desire and ultimately the impossibility for the individual to belong in any society. The film's narrative is a collage of flashbacks, daydreams, and hallucinations comprising live-action, animation, and newsreel footage assembled to suggest the way personal memory works, subjectively and emotionally.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.