Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

In 1920s Turkey, a young peasant is smitten with a beautiful young girl, who has been promised in marriage to the fat, dullard cousin of the province's powerful and corrupt governor. When an assassination attempt is made against the official, the young man flees his village and joins up with a group of outlaws fighting against the wealthy and powerful landowners who control the lives of the locals and make life miserable for them. The outlaws' successes prompt the governor to call in the Turkish army to capture or kill them.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
'Don't Lose Your Head' follows the motto of "grades aren't everything."