Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

After popular and charismatic megachurch leader Hamilton Spears commits suicide, his teenage daughter Hannah's life goes off the rails. The only thing keeping her together is her new boyfriend, Oliver. When she finds evidence pointing to a church conspiracy and threats toward her father, she is determined to prove that Hamilton's death was murder not suicide. As she gets closer to the truth, she realizes her own mother may be involved in her father's murder...and that the boy she is falling in love with is the son of his killer.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Summit Station, the longest running lesbian bar in Ohio, was one of the places that made lesbian community possible.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.