A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

Fifteen years after a young man disowns his infant son, fate brings father and son together in a deadly street fight that'll alter their lives forever.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.