"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

Meda, a thirteen years old girl, was raised up in modest conditions but with love in a country family, under maternal assistance legal conditions. When the mother, owner of the maternal assistance certificate, dies, Meda has to return to the orphelinat, against here will. The widower, behaving more than a true loving father, fights with all around him, authorities and people, in order to keep Meda and take care of her.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.