'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

Shot in Claude Monet’s Garden in Giverny (France) this film is a search for its cusp — a possible point of passage, set at the limit of the scope of representation and at the beginning of the animal and the vegetal realms. The film shows the microscopic ecosystem that constitutes Monet’s “pictorial Garden”. It is an attempt to capture it from a non-perspectival point of view. Shot as a single sequence running the duration of a 400-foot reel, it features views of the edges of water-lily’s leaves and of Monet’s iconic green bridge, until the lens of the camera is intentionally removed to place the analogue film directly in contact with the environment, recording its presence with no interface. The abstract image resulting from this process captures the shimmering lights and movements of all beings during this quiet summer night.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
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t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.