Migration - Movie Review
This animated movie is based on the migration of birds from the north to the south.

A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president. The nominal leading man is Tommy Nelson, the black-sheep son of a wealthy alumnus. Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy's father withdraws his financial backing and bars his son from ever setting foot on Sheffield's campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown's famous "Yeeeeowww" was heard -- but certainly not the last).
This animated movie is based on the migration of birds from the north to the south.
SPOILERS AHEAD. Sweet Sweetback's Baadasssss Song distinguished itself from Hollywood films of its time by introducing New Wave cinema storytelling methods into Black cinema.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.