Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Dennie has returned from a year among the hippies to her superficial, image-conscious suburban family. She must face their disapproval of her actions. They refuse to even try to understand. She must also deal with an ex-lover, and a beloved young sister who is following in her footsteps, wanting the idealistic hippie life but making some rash decisions in the process.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
A family drama is woven with quiet yet powerful forces of words and nature.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
A story of a magical dragon brings great representation for Chinese culture.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.