'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

While battling the absurdity of telephone customer service, Liz is unexpectedly transferred to the Afterlife. There, she discovers it’s just as bureaucratic, frustrating, and illogical as Earth. Now, stuck between death and hold music, Liz must confront her own mortality, figure out what really matters, and find a way to navigate the red tape of the beyond… if she ever wants to return to the land of the living. But through doing so, she soon realizes that much like her current situation, she’s been putting the most important things in life on hold.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
This remake of the Disney Channel Original Movie of the same name brings a strong representative cast.