Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

Julianna Sterling is young, very pretty, thin and wants to be legitimate model. But Max has other ideas. In Max Hardcore Extreme 10 he gets her over to his place, shaves her cunt bald, then fucks her in the mouth, cunt and ass! Jade Marcela can't get enough abuse, so Max fucks her mercilessly up her throat and ass, and has her suck cum and water out of her gaping asspipe with a hose! She drinks the cum out of her ass! Channel is a new cunt who wants to be a model. She's pretty but not very bright. Max convinces the nervous slut that the way to succeed is to let him fuck her up the ass.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.