Thomas, a specialist at breaking and entering, gets out of jail after nine months and finds another man in bed with his girl. In the next 24 hours, he seduces one woman, steals her bracelet, and gives it to another in exchange for felatio. Soon after, he sets eyes on Léa; at first she's just another challenge. She dismisses him, but he's persistent. Finally she decides to love him, but warns him that she's hard to get but harder to get rid of. When he does decide to leave her, she is devastated, but so, it appears, is he, and back he comes. Now all seems wonderful, but his past, in the form of the woman whose bracelet he stole, comes back to haunt him. How will Léa handle it?
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Women have always been integral to science fiction, and these amazing women prove why.
