Join us for a festive and spectacular revival of Lise Nørgaard's beloved TV series, which unfolds here in a new, lavish, and modern version. For two whole seasons, "Matador Musical" has played to sold-out houses at the Opera House in Copenhagen. In just a few hours, the 85,000 tickets were snapped up, and many were left disappointed. The audience was ecstatic—and the success was a sure thing! And there is really something to look forward to when Danish theater's "happy boy," director Peter Langdal, dazzles us with the familiar Matador universe in a new and modern production that spares no ambition: It doesn't get much more spectacular than this, when the dream team of actors, singers, and dancers are unleashed on the Opera's grand stage in a lively fireworks display, accompanied by Denmark's arguably best band, the Radio Entertainment Orchestra.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
