Beautiful "Materialists" Can't Quite Find Its Footing
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.

Join us for a festive and spectacular revival of Lise Nørgaard's beloved TV series, which unfolds here in a new, lavish, and modern version. For two whole seasons, "Matador Musical" has played to sold-out houses at the Opera House in Copenhagen. In just a few hours, the 85,000 tickets were snapped up, and many were left disappointed. The audience was ecstatic—and the success was a sure thing! And there is really something to look forward to when Danish theater's "happy boy," director Peter Langdal, dazzles us with the familiar Matador universe in a new and modern production that spares no ambition: It doesn't get much more spectacular than this, when the dream team of actors, singers, and dancers are unleashed on the Opera's grand stage in a lively fireworks display, accompanied by Denmark's arguably best band, the Radio Entertainment Orchestra.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
This film’s ambition is betrayed by its lack of substance.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
The 'Hawkeye' season finale features all kinds of cool characters and resolves its loose plot threads efficiently, yet it's lacking when it comes to the vital development of its characters.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.