'Not Okay' Review: A Perfect Companion Piece to ‘Nope’
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.

If Mastodon never get around to a greatest hits package, Live at Brixton will do the trick. Captured at a February 2012 gig in London, Brixton finds the Georgia prog-sludge mainstays barreling through 23 choice cuts from their five good-to-classic LPs, 2002's Remission through 2011's The Hunter, a typically remarkable performance from a band whose live prowess rivals their in-studio wizardry. Like most overviews, the song selection's arguable, the impact of even the highest highs altered in their uprooting. But Brixton does the same rep-cementing, catalog-calcifying work a good hits comp is supposed to, further solidifying Mastodon's spot among the greatest big-ticket metal bands going.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
Sonic is a pretty generic buddy comedy with a light dusting of eccentricity.