The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Margo, a struggling painter, risks losing everything when the revelation of an affair threatens her future. After an uninvited guest arrives at her dinner party, she confronts the sins and secrets of her past in a chaotic, hilarious evening of misunderstandings and heartbreaks.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
How do zombie films shine new light in the post-Covid and post-Brexit era?
An animated short film that never gets old, especially with iconic characters from the Disney series.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.