The Last Twenty Minutes of 1999's Audition
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.

This film inaugurates Bartana’s “Polish trilogy”, building on the complex Polish-Jewish relations as the point of departure towards a more universal narration about the figure of a stranger or newcomer. Sławomir Sierakowski (leader of the Polish leftist group and magazine “Krytyka Polityczna”) acts here as an activist who passionately invites Jews to come back to Poland. The derelict Tenth Anniversary Stadium in Warsaw provides the scenery of his passionate speech: “Jews! Fellow countrymen! People! Peeeeople! This is a call, not to the dead, but to the living. We want 3 million Jews to return to Poland, to live with us again. We need you! We’re asking you to return!” Bartana relates here to the timeless aesthetics of propaganda films, e.g. Leni Riefenstahl’s Triumph of the Will from 1934 (where the stadium also becomes an scene of political manipulation), but also the earlier Zionist film chronicles targeted at Jews settling down on the Palestinian territories.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen