Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

England, 19th century. 12-year-old Mary is passionate about the fossils that she collects and sells with her father. When he accidentally dies near the fossil cliffs, Mary, her brother and her mother struggle to make the payments for the family house, meaning they will probably have to leave the seaside that Maëlys loves so much. But her father left a mysterious message: what was it that he saw on the cliffs before he died? With some help from her friends, Mary will fight to save her home and continue to do what she loves, searching for fossils, in the midst of a society where girls should not “behave like men”. Mary doesn’t know it yet, but she’s going to go down in history…
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
This horror movie combines elements of horror and babysitting with Black representation.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.