“Onward” and Upwards!
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.

This is the story of a marketing man and his shrink. A suicide attempt and a softball game; A PHD-toting stripper and a deranged Desert Storm vet; A giant sparerib costume and the world's largest peenis; John Woo-style violence and Steel Magnolia-esque pathos. This is the story of Martin & Orloff.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.