After the traumatic death of his brother, Inspector Ritesh finds that his niece has suffered a trauma and is unable to speak, while his widowed mother and sister-in-law are devastated by his sudden death. Then while apprehending some goons he finds himself surrounded by them and there is no way of calling for help. It is then a man named Marshal shows up and rescues him. Miraculously his niece also starts to speak. Ritesh finds this a good omen for his family and asks Marshal to stay on in their house, and even proposes that he marry his sister-in-law. What Ritesh does not know is that Marshal is a hired assassin and hit-man, and his next target is none other than Ritesh himself.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
