Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Like the previous film Luna produced by Klushantsev, the film Mars was created at the intersection of educational science films and science-fiction. It consists of seven pieces, which tell (based on scientific understanding of the 1960s) of the physical conditions on planet Mars, the possibility of life on Mars and what forms it might take, of Martian canals and "seas" of the Red Planet. In addition, the film includes the director's fantasy hypothetical forms of life on mars, and of the exploration and colonization of Mars in the near future.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch