Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Marriage Adventures poster

Marriage Adventures 

Helena (Xenia Kalogeropoulou) returns to Greece after studying in Paris and on the ship home she meets Dinos (Dinos Iliopoulos). An attraction develops between them and after a while Dinos asks for her hand in marriage. Helena though cannot accept his proposal because she is pregnant.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Helena (Xenia Kalogeropoulou) returns to Greece after studying in Paris and on the ship home she meets Dinos (Dinos Iliopoulos). An attraction develops between them and after a while Dinos asks for her hand in marriage. Helena though cannot accept his proposal because she is pregnant.

Rating:
Genre:Comedy
Directed By:Kostas Yeorgoutsos
Written By:Kostas Yeorgoutsos
In Theaters:
Box Office:

Runtime:84 minutes
Studio:Athens Film Company

Articles You May Like


Escape White Suburbia in "The Gates"

The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor. 

Jo Moses

'Jack and Diane' Review: Wasted Potential

The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.

Andrea Amoroso