Marreta 

The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.

Korean culture shines in this Canadian export.

Black Panther was obviously an epic movie and big hit! It was the highest-earning superhero movie of all time in the US! It's pretty clear that Black Panther has more meaning for race and diversity than your average Marvel superhero movie. This movie means a lot in terms of black pride and representation - and has much cultural significance in America as a whole.

If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.