Marlon Brando is best known for his successful films and two Oscars. But his link with French Polynesia, where the actor lived for nearly thirty years, remains largely unexplored. For Brando, a complex and tortured character, known for being unmanageable on film sets and even sometimes obnoxious, escaped throughout his life to a small hidden island at the end of the world. By settling in Tahiti, Brando thought he could rid himself of his anguish and turpitude. But Polynesia, with its paradise-like landscapes, gentle way of life and distinctive culture, was in reality nothing more than a mirage of an idealised, peaceful existence that the star never managed to achieve.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
This sports drama movie is centered around an Asian American boy named Chang.
This Disney Channel Original Movie shows how two different groups can coexist.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
