"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

This one finds Jack Slade and Mary Conway,alias Blanche, being recognized as known and wanted crooks by deputy marshal Harry Stevens and, when he orders them out of town, Slade kills him. His son, Bob Stevens and friend Parkford become U.S. Marshals and proceed to rid the town of the cut-throat gang that has been terrorizing the citizens. Bob goes undercover as an outlaw and works his way into the gang, while Hoot poses as a Dude who goes about making fiery speeches on behalf of law and order.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
Zoe Saldaña is a CIA operative who leads a special program that recruits women to infiltrate and dismantle international criminal enterprises, with a QRT(Quick Response Team) providing operational security that shoots people and blows things up on a weekly basis.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.