"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Slavica is living on the margins of society, always skirting borders of what is legal. She is trying to change her ways and to make a living, but it turns out to be an impossible achievement for her. Not having any other means to survive, she turns to stealing, but is quickly apprehended and severely sentenced. She tries to cover her tracks and takes on the identity of Marija, a successful scientist who is preparing her PhD in psychoanalysis. The real Marija learns about this identity theft, which awakens an interest in Slavica's way of life. The two of them switch identities and discover worlds which are sure to change them.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
An enchanted school for young heroes and villains brings the battle between good and evil in this fantasy movie.