
Young office employees and a gay delivery boy who wants to be a dancer, all desirous of leaving their day jobs, pitch in money and number selection on a lottery ticket. Bing, who has a severe stutter, is sent to get the ticket, and refuses to supply it. His co-workers, all staying late at night to finish a proposal for their manager, Gloria, torture him in order to make him supply the ticket, even attempting to get him to sign an insurance policy before they kill him. All the while, they try to avoid getting caught by Gloria, who expects them to be working.
A story of a magical dragon brings great representation for Chinese culture.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.