Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Marital Relations poster

Marital Relations 

​Ryukichi, the pampered heir to a cosmetics wholesaler, abandons his wife and child to pursue a scandalous affair with a famous geisha named Choko. This betrayal leads his father to disown him, leaving the unskilled Ryukichi with no way to earn a living. To keep them afloat, Choko is forced to continue working as a geisha while secretly scraping together a nest egg to start their own business. However, Ryukichi remains trapped in his hedonistic lifestyle, eventually squandering Choko’s hard-earned savings on his own self-indulgence.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


​Ryukichi, the pampered heir to a cosmetics wholesaler, abandons his wife and child to pursue a scandalous affair with a famous geisha named Choko. This betrayal leads his father to disown him, leaving the unskilled Ryukichi with no way to earn a living. To keep them afloat, Choko is forced to continue working as a geisha while secretly scraping together a nest egg to start their own business. However, Ryukichi remains trapped in his hedonistic lifestyle, eventually squandering Choko’s hard-earned savings on his own self-indulgence.

Rating:
Genre:Drama
Directed By:Shirō Toyoda
Written By:Toshio Yasumi
In Theaters:
Box Office:

Runtime:121 minutes
Studio:TOHO

Articles You May Like


Why "The Birdcage" is Still Worth Celebrating 25 Years Later

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Matt Geiger