"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

“Marilyn vs. Marilyn” tells the story of a little-known period of Marilyn’s life – the years she spent in New York, trying to became a ‘serious”’ actress, taking lessons with Lee Strasberg and setting up a production company with her photographer and trusted friend, Milton Green. Based on hitherto unpublished – and magical - photos from the Greene archives, the film focuses on the photographic image of a woman who remains one of the greatest legends in the history of cinema… and an enduring enigma.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.