Joanelle Romero Discusses Native Indigenous Representation
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.

Utako, a beautiful mature woman constantly targeted by men, suffers from a strange illness. A hormonal imbalance causes fluid to accumulate in her body when she becomes sexually aroused. This fluid is released in large quantities involuntarily—commonly known as "female ejaculation." Doctors have even warned her that she will die in agony if she doesn't reach orgasm. This illness led to her divorce from her husband, Murayama, who is now dating Utako's younger sister, Seiko. Despite this, Murayama and Seiko continue to look after Utako. Then, one day, Utako is subjected to a persistent pervert on a train. If she becomes aroused, the symptoms will reappear! Utako manages to escape just in time, but the pervert follows her and sneaks into her room in the middle of the night…
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch