Quarantined with ‘The Platform’ a Horror/Thriller that Somewhat Parallels the Pandemic
It’s dark, uncomfortable, and there are things that don’t make sense.

The story runs in the 1940s Mexico City. A schoolboy (Carlos) falls in love with his best friend's mother (Mariana). Carlos is impressed because this family is not like the ordinary mexican families of the time, because they have many expensive American things, although they are not rich. The drama begins when Carlos gets out of school to go to declare his love to Mariana, and is discovered by his teachers.
It’s dark, uncomfortable, and there are things that don’t make sense.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.