Margo the Mouse 

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.

Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.

I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.

The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.