A Good Burger Comes with Fries and a Shake
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.

A soldier, swaddled in body armor, guards the border of his country. This is not an area of tension; nothing warlike happens here; all that comes from across the border over in the enemy land are radio waves carrying the speeches of its leader, Marehito played by Hideyo Amamoto (Yojimbo, Kamen Rider). The soldier's only duty is to monitor these speeches, and he is sick to the teeth of the dictator's raving. In his quarters is a female android, a 'comfort woman' issued him by the government. He lives quietly with his green-eyed ILYA Type 6, and is responsible for his desert border area. That is the whole of this soldier's life. One day a military official pays a call on his quarters. There has been a shuffle of personnel in the high echelons, and a slight change in policy has been made. The ILYA Type 6 is to be upgraded.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.