Vincent returns from Rabat, where he has failed to find the childhood home of his father, who left Morocco at independence. On the way to the hospital where his father is dying, Vincent meets Ahmed, a Moroccan student.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
