
A reflection on love and identity with detours towards magical realism, which winks at the oral tradition of coastal populations and introduces us to Leo, a young 21-year-old sailor who revisits his relationship with Jimena after his great-aunt reminds him of his favorite myth from when he was a child: the story of the nereids.
‘Babylon’ is an exhilarating journey one has to brace themselves for
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.