The Burden of History and the Phenomenal Women of “Miss Juneteenth”
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.

Gay adult superstar Ray Dragon makes his TitanMen directing debut, in collaboration with lead director Brian Mills, with the all-sex feature Boot Camp: ManPlay 24. The director may be new, but the fierce ManPlay sexuality stays the same--striking all-new TitanMen performers in unscripted, spontaneous sexual episodes that deliver straight up the kind of gritty, masculine sexuality that's always been Dragon's personal specialty. And don't worry--there's no fake army crap in Boot Camp: ManPlay 24! Just ten men who've enlisted for three extended scenes of steamy, sweat covered, barracks buddy sex. Muscled Darius Falke--a new TitanMen exclusive--makes his explosive film debut with Sergio Anthony and Adam Faust.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.