Whitest Season: Privilege Comes First in ‘Happiest Season’
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.

By his dying father's last wish Joe is sent to the Wild West to become a real guy. The dreamy young man despises guns and fights likes poems and prefers bicycles to horses. Now his three teachers footpads all of them shall teach him otherwise. This doesn't work until Joe has to defend himself against gunman Morton who's jealous of Joe's love to rancher Ohlsen's beautiful daughter.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department