Director / Writer Dana Ziyasheva Talks About 'Defenders of Life'
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
Man Market
Yeong-chun becomes a gigolo after the woman he thought he loved left him. The reason she left was because Yeong-chun lacked money. He jumps at a chance to make quite a bit of money off a middle-aged woman, but what must he do in return?
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Yeong-chun becomes a gigolo after the woman he thought he loved left him. The reason she left was because Yeong-chun lacked money. He jumps at a chance to make quite a bit of money off a middle-aged woman, but what must he do in return?
Rating:
Genre:Drama
Written By:
In Theaters:
Box Office:
Runtime:105 minutes
Studio:Sung Il Cinemart
Articles You May Like
Extreme Quarantine: “The Last Days” Shows Us How Much Worse It Could Be
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.
'Venom: Let There Be Carnage' Is a Gay Love Story and I'm Here for It
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
Review: 'Sylvie's Love' is Beautiful in its Simplicity
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
Experimenting with Swimming, Trauma, and Poetry in "The Chronology of Water"(2026)
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
A Haunting Portrayal of Motherhood in "The Lost Daughter"
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.