Pacific Island Christmas comedy from the makers of Take Home Pay following two grandchildren on a search for their grandmother’s music box. But what starts off as a simple deed turns into an unexpected race full of obstacles and hidden family secrets.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
Four more classic horror films that are entertaining even if occasionally absurd.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
