Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Sheds a light on an outdated California law that limits your recovery for preventable medical negligence to $250K, no matter the result — even death.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
This Disney Pixar movie is based on the elements air, fire, water, and earth.
The second film takes us on Peter's journey to be understood.
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.