What’s Missing in the Lilo & Stitch Posters? A Face and a Deeper Concern
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.

In the North East of England there is a strange and hyper localised genre you have in all likelihood never heard of. It’s called Makina. Emerging in the late nineties it fused European hard dance genres and became the instrumental backing to a generation of MCs who used it to talk about the intimate details of their lives, whilst hyping crowds at 180bpm. It's the sound that builds community and exorcises demons. The sound that embraces difference and channels sensitivity. It's the sound of loss, deprivation and joy. It's tradition, identity, folksong; it's the sound of the North East.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
Four more classic horror films that are entertaining even if occasionally absurd.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.