Mina, determined to realize her dreams, not only refuses to succumb to her husband and mother-in-law’s fierce opposition, but also paves her own path and pushes forward along it. Gradually, it looks as if the people and world around her are starting to change . . . .
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
