A Greek journalist travels to Venezuela trying to understand why the politicians in his crisis-plagued country debate whether there is enough toilet paper in Caracas. Through several trips, which bring him from the shanty towns to the borders of Colombia and back to Europe, he discovers a reality that differs from the mainstream media narrative.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.
